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Jurassic World Renaissance: A good youthful cure [critique]
Renouring with the original spirit of a saga that had been bigger than beef, this rebirth signed Gareth Edwards is well left to be the coolest blockbuster of summer.
Park, world, lost, fallen, Fallen, 1, 2, 3, 4, 5, 6 and … 7. It was necessary for a Renaissance.
By dint of shaking up and stinging the snack of the kids, the producers had disgusted themselves and decided to put gluten-free sweets on the table. Without the promise of “rebirth”, we would have gone with lead shoes to this umpteenth fair with dinos, the latest opus overplaying unnatural hybridizations. Even a Spielbergien claimed as Juan Antonio Bayona (which signed Fallen Kingdom In 2018) had a hard time swallowing his pill at the fanbase. Table so. This time Gareth Edwards with controllers (The Creator, Godzilla but above all Rogue Onethe most beautiful opus in the saga Star Wars). Not stupid to put “authors” on the maneuver.
Jurassic World: Renaissance: The first reactions are positiveOn the scale of our summer, this Jurassic World is stuck between the regressive F1 and vomit Superman. A place that suits him so much his narration to readability nineties Connect with the vintage adventures of Brad Pitt in a cockpit and tuties the upset extravagance of the Krypto Superhero, too in full nostalgia for what it was once.
The intrigue of this seventh installment is seven years (would we try to tell us something?) After the previous episode (The world after), enough to make traumas forget. Dinos tired and unsuitable for our ultra-connected Western ecosystems live along the Ecuador’s line, conducive to a peaceful life far from humans.
Not for a long time since an expedition of scientists sets out on a mission to take the blood of the greatest specimens to make drugs supposed to prevent heart attacks caused of endemic mortality in the United States (all this …) besides that the prospect of tickling tyrannosaurus and other velociraptors anxious participants whose reluctance are quickly raised to millions of dollars (Gluten Free cynicism), soon asks the question of the beauty of the gesture.
The super-scientific embodied by Scarlett Johansson is, in fact, haunted by this throbbing question: ” Should we ultimately pass on our samples to the pharmaceutical industry which uses us gravely or on the contrary offer them to science? The very idea that for the heroine the answer does not go to oneself adds a (all) little more joyful spice far from the humano-hypocrites of the last pixar (Elio). Let’s exaggerate anything, however.
In parallel with this adventure which propels the adventurers on the island where it all started, we follow the misfortunes of an on -board father with his two daughters and his badly raised son -in -law on a sailboat which will not be long in meeting a paleolithic sea monster (fairly enjoyable sequences).
All this lost little world will have to, we suspect, merge and fight firm against much larger than him. The scenario never fooled by itself (the unbeatable David coepp plus unplugged that usually) unrolls his classic cushy partition. The management of special effects avoids digital orgy seeking to favor an organic sensation (suspended moment of a hug between two brachiosaurs) so yes, the story does not have much to offer both psychologically and dramatic, the stacking effect therefore of redundancy. Load at Scarlett to awaken the expedition of his voluntary gaze. She believes in it. We too. There remains a Jurassic hope. To die is to be reborn a little.
Jurassic World: Renaissance. From Gareth Edwards. With: Scarlett Johansson, Jonathan Bayley, Mahershala Ali… Duration: 2h14. Released on July 4, 2025 at the cinema in France.
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