CANNES.
¿Time for Sean Penn’s rematch? 5 years after critics booed his movie at Cannes, the actor and director returned to the Palme d’Or competitors yesterday with Flag Day, by which he performs alongside his youngsters.
Primarily based on a real story, Flag Day tells the lifetime of a father adored by his daughter for his “magnetism and talent to make life an ideal journey.” However at the identical time, this man leads “a secret life as a financial institution robber,” in accordance with the synopsis.
Penn, 60, performs the lead position for the first time in considered one of his movies, alongside his daughter, Dylan, 30, and son Hopper Jack Penn, in a supporting position.
In 2016, Penn’s film The Final Face, starring Javier Bardem and Charlize Theron, was so criticized that it didn’t even hit theaters in the United States.
Penn, who gained two Oscars as an actor, first appeared in the competitors 25 years in the past with Nick Cassavetes’ She’s so Beautiful, for which he gained the appearing award.
With Flag Day he competes for the third time as a director for the Palme d’Or (The Final Face and The Oath in 2001).
Flag Day is competing with 23 different movies for the highest award, which can be awarded on July 17 by the jury chaired by filmmaker Spike Lee. Up to now, eight have been launched and the critics have already begun to place themselves. Annette, the musical with Adam Driver and Marion Cotillard, who opened the pageant on Tuesday, is by far the favourite.
However The Worst Particular person in the World, the delicate portrait of a thirty-something haunted by doubts — what to check? Who to like? What to do with a lot freedom? – He stood as a trustworthy mirror of the millennials, gaining common approval. That is the final movie in a trilogy by the Norwegian Joachim Trier, performed by a hitherto little-known actress, Renate Reinsve.
Two movies based mostly on actual occasions and starring lesbians have been additionally screened on Friday. Though the similarities finish right here.
The primary, Benedetta, the long-awaited movie by Dutchman Paul Verhoeven, is a portrait of a lesbian nun in 17th-century Italy.
Like the feminine protagonists of his earlier movies Low Instincts (Sharon Stone) and Elle (Isabelle Huppert), Benedetta, performed by the French Virginie Efira, develops a manipulative capability that turns the congregation by which she has lived since she was a toddler.
The fracture, for its half, rescues the phenomenon of the “yellow vests” in France, a social protest motion that in 2018 put the authorities on the ropes.
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