16 years on from Joel Schumacher’s 2004 tackle The Phantom of the Opera, Common could also be going again to the property for one more musical adaptation. Sources near WGTC – the identical ones who advised us Nationwide Treasure 3 and Now You See Me 3 have been within the works months earlier than they have been introduced – say that there’s a reboot of the story in growth at Common and we now have just a few fascinating particulars on the way it’ll differ fairly drastically from earlier takes on the fabric.
The most dramatic change is that the setting of the story will probably be up to date from 19th century Paris to present-day New York. Regardless of that, the essence of the plot stays the identical. On the core is the Phantom, who possesses bodily and psychological capabilities properly past that of a standard man and a few type of telepathy. He was as soon as displayed at sideshows as a disfigured freak, just for him to flee to the deserted subway tunnels of the Massive Apple. Right here, his one solace is the music he hears coming from the Metropolitan Opera Home.
However quickly his sights fixate on proficient but deprived soprano Christine, who the Phantom develops a telepathic hyperlink with and tries to attract her down into his murky world. If you happen to’re aware of the unique story (or Andrew Lloyd Webber’s musical), you’ll be able to in all probability work out how the remaining goes.
The script is presently being labored on by The Woman within the Spider’s Net author Jay Basu, who’s already credited with online game adaptation Metallic Gear Strong and a remake of Labyrinth. We even have Chris Morgan and Alex Kurtzman locked in as producers (although you’ll assume Kurtzman would have his fingers busy with Star Trek proper now). Every part else is hazy, although, as there’s no director hooked up and so they don’t appear to be particularly concentrating on any stars for the lead roles but.
Whether or not this new Phantom of the Opera emerges from growth and makes it to screens or not, it actually appears like an fascinating undertaking. And, let’s face it, Andrew Lloyd Webber musicals may use a little bit of rehabilitation after Cats.
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