The yr of discovery
Not even a world pandemic has been capable of overcome the overwhelming vitality and inventive drive of a cinema in Spanish that conquers festivals and surprises the general public with its renewed and at all times dangerous selection of proposals, stylistic richness and inventive energy.
As traditional, Chile as soon as once more tops the listing of the best of the yr, together with a wonderful harvest of Mexican cinema (‘Nuevo Orden’, from Michel Franco) and an beautiful illustration of our cinema, extra artistic and lucid than ever (the subsequent on the listing was, clearly, the jewel by Nuria Giménez Lorang, ‘My Mexican Bretzel’).
12. Fauna, of Nicolas Pereda (Mexico). One of probably the most Borgian movies of the yr, through which its director takes up, eleven years later, the characters from his second movie “Collectively” and brilliantly mixes them up, leaving the viewers speechless. For those who appreciated ‘The flower’ don’t miss it. Insanity metafiction, sinuous and intriguing script and Gabino Rodríguez on the top of his interpretive artwork.
‘I’m not right here anymore’
11. I’m not right here anymore, from Fernando Frías de la Parra (Mexico). The nostalgia for the nation, the uprooting of the migrant, the counterculture of the Mexican ‘kolombias’ from Monterrey and an impeccable protagonist come collectively in a movie that’s as surprising as it’s emotional.
10. The ducts, Camilo Restrepo (Colombia). From Latin realism to the dreamy visible poetry of a director who guarantees to present us many joys in film theaters.
9. White clean, de Théo Courtroom (Chili). Elegant, trendy and Alfredo Castro as impressed as Maria Falconetti in ‘The Ardour of Joan of Arc’, what extra may you ask for?
8. The thousand and one, of Clarisa Navas (Argentina). The undisputed chief of the latest Argentine cinema approaches her newest work in a choral approach and indicators one of probably the most intense moments of the yr.
7. The mole agent, from Maite Alberdi (Chili). A sluggish ‘Tenet’ to retire James Bond in a hybrid documentary between actuality and fiction. One of probably the most intense crushes of the general public on the festivals of the yr.
6. Ladies, of Pilar Palomero (Spain). If 2020 has been the right harvest for filmmakers internationally, this pattern has additionally been confirmed in Spain.
5. With out specific indicators, of Fernanda valadez (Mexico). A filmmaker who’s succesful of completely illustrating a highway film between two international locations, capturing solely 20 kilometers round Guanajuato, is succesful of something. Fernanda Valadez: the longer term of Mexican cinema.
4. La Llorona, from Jayro Bustamante (Guatemala). With an excellent ending, the Guatemalan movie genius closes his trilogy of contempt within the best approach, with a political movie below the style of terror.
3. Lúa vermella, from Lois patiño (Spain). There are not any phrases to explain Lois Patiño’s cinema. His breath is pure celluloid and his gaze, though it’s inconceivable for me to clarify it, jogs my memory of the imaginative and prescient of Georges Méliès. A cinema with out limits that goes off the display screen and stays engraved on the retina.
2. La Verónica, from Leonardo Medel (Chili). Though there may be, fortuitously, an important distinction of opinion and standards within the annual lists of the cinema informants, some movies are at all times repeated. Regardless of this, how you can clarify the absence of one of probably the most audacious, lucid and good movies of the yr, akin to ‘La Verónica’, by Leonardo Medel. Attainable clarification: what we see on the display screen hurts as a result of it’s too actual.
1. The yr of discovery, of Luis Lopez Carrasco (Spain). And that is the place the consensus has been most unanimous (and least anticipated, it have to be stated). For the overwhelming majority of critics, that is the yr of the invention of the ability of the documentary (proof of this, not solely this movie but additionally ‘My Mexican Bretzel’, among the many best of the yr at a nationwide degree). Luis Lopez Carrasco has shot THE jewel within the cinematic crown of 2020.
See you on the movies, very quickly.
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