On the evening of Saturday, February 20, Spanish Tv broadcast the ‘Vacation spot Eurovision’ gala, during which the public determined with which tune Blas Cantó would characterize Spain in Eurovision 2021. An appointment that concluded with the victory of « I’m going to keep » over « Reminiscence », with 58% and 42% of the votes respectively, after he began with the presentation of each on stage, with two very totally different staging.
Blas sang in ‘Vacation spot Eurovision’
So as to wrap each themes in an appropriate scenography, Blas had the work of artistic director Marvin Dietmann as half of the Spanish Eurovision staff, who has additionally labored with Conchita Wurst or Cesár Sampson at the competition. « Blas has very clear concepts about what and how he needs to be, shine and transmit it via the display. And that helps me lots, as a result of throughout the creation course of we’ve got to adapt issues », praised the Austrian, about the improvement of the staging. « Working with Marvin has been nice. It offers off brutal power and nice magnetism. Has understood the songs and created an idea for every of them« , commented for his half Cantó.
The Murcian mentioned that « it was exactly what we wished: to construct a narrative round the points from the starting, from the gala. » In truth, Dietmann has additionally been concerned in the realization course of that includes the performances, particularly in rehearsals., since the Austrian confessed that « I strive to information the staff ». « We work on the views of the cameras, of the lights and I make annotations of all the time codes and adjustments that the technical staff executes, » defined the director, for whom « the imaginative and prescient of the singer additionally counts. » « I strive to mix all these components and that all the things goes in the identical line as it’s foreseen in the sketches, « concluded the Austrian.
« Memoria », a scenography of contrasts
Trendy pop theme, « Reminiscence » collected in its lyrics « two varieties of recollections » of recollections of Cantó: « some candy and charming; and on the different hand, a flashback the place he tries to discover his grandmother in his thoughts. He tries to join with her once more, however he’s not ready to. « A duality that Marvin wished to differentiate in the efficiency, utilizing lighting and mappings. On this manner, whereas the stanzas function a colourful, even dreamlike, surroundings that appeals to a nice and full of life ambiance, the refrain is enveloped by a muted ambiance and a darkish stage. Relating to the realization, it was determined to deal with the determine of Cantó, with a steadycam that « makes a really brief shot of him for the first time in the tune », and then « break with all the things, we combine all the guidelines and we fall into the chaos « and end off with » a really heat amber mild and he stays in the heart. He’s alone « , as the set designer defined to TVE.
« I’m going to keep », a minimalist staging
Dietmann defines the theme chosen for Eurovision 2021 as « pure poetry », which is why he opted for « a really minimalist scenography as a result of the tune itself is highly effective and, mixed with Blas’s voice, it grows and will get larger and larger. « In truth, the staging lacks frontal mild on the singer, » just some spotlights « on Cantó, for a quite simple cause, as he defined. Marvin: « the most necessary factor is him, his voice and this second ». The efficiency, actually, began with a scenography that emulated the evening, during which the Murcian stood in entrance of an eclipsed moon, to evolve as the tune progressed in direction of a play of lights and visuals on the LED screens, with a depth in crescendo that concluded with the satellite tv for pc shining in all its splendor behind Blas, who was additionally enveloped by lots of of lights on the stage.
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