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This is the great surprise of the Malaga Festival

The lives of the girls of a city in Tierra de Barros appear suspended in time and house. On them, Ainhoa ​​Rodríguez builds in ‘Courageous flash’ an x-ray of the tedious and suffocating passage of days in a small surroundings that, nonetheless, is solely the excuse to speak about many issues. The movie, which has been offered at the Malaga Festival after passing by Rotterdam, talks about the inheritance acquired, the inherited traditions, the combat towards patriarchy, the taboo of feminine sexuality, particularly after a sure age … And he does so by mixing fiction with actuality in a cinematographic train that already smells like Biznaga de Oro.


The director speaks with data of the info. He went to dwell in Puebla de la Reina for 9 months to absorb first-hand a rural everyday completely extrapolated to another place in the world. There, and earlier than embarking on the 4 weeks that the filming lasted, she held a workshop for girls on cinema and the way it had represented them. As the new protagonists acknowledge, amongst which Guadalupe Gutiérrez, Carmen Valverde and Isabel María Mendoza stand out, “Ainhoa ​​arrived to show the city the wrong way up.” As a result of evidently in emptied Spain nothing ever occurs … however the whole lot occurs.


Suspense and magical realism

In ‘Courageous Flash’ loss of life, loneliness, suicide, distress, superstitions, bodily and non secular vacancy are touched. And it is achieved with the similar sordidness as on a regular basis life. It is a poem of ache, a sequence of decadent and tremendously stunning rural prints with a really dangerous visible energy that, though it may join with the aesthetics of David Lynch, Lars Von Trier, Buñuel or Fellini, generates a universe of its personal. A method of filming that reaches its climax with a dreamlike scene wherein the group of protagonists liberate themselves in an “ode to the self-pleasure of mature girls”, as outlined by the director herself.

Suspense, magical realism, kitsch and pop for one of the strongest titles which have handed by the contest and that, completely faraway from the business canons, already smells like Biznaga de Oro. It can hit theaters on June 18.


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Donna Miller

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