On June 30, it arrives on the Netflix platform, Are, a Mexican miniseries that, in a fictional approach, will narrate the occasions associated to the Allende bloodbath. The biggest streaming firm joins forces with the Memory and Tolerance Museum to form the Somos Exhibition, a digital tour of the making of the collection and its deeper particulars.
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Yesterday, Tuesday, June 22, the digital tour of Somos was inaugurated at 7 in the afternoon. The web site presents an exhibition divided into a number of segments: Behind We Are, From Actuality to Fiction and The World of We Are, all utterly set to music by the composer Victor Hernandez Stumpfhauser. In keeping with the web site “the digital exhibition arose to accompany the launch of this venture” and “seeks to point out the ideas and processes of creation of this collection.”
Somos is produced by James Schamus, written by Monika Revilla, who was behind El baile de los 41 – 95% and La Casa de las Flores – 86%, and Fernanda melchor, famend Mexican author, creator of novels similar to Hurricane Season and Paradais. The miniseries is immediately impressed by Anatomy of a bloodbath, a brutal report by the journalist Ginger thompson printed in 2017 by means of Propublica about the massacres in Allende just a few years in the past. Right here one of its fragments:
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In March 2011, the sleepy cattle city of about 23,000 and only a 40-minute drive from the Texas border was attacked. Hitmen from the Los Zetas cartel, one of the most violent drug trafficking organizations in the world, swept by means of Allende and surrounding cities like a flash flood; they demolished homes and companies, kidnapped and killed dozens, presumably a whole bunch, of males, ladies and youngsters.
The impression generated by that episode in Allende has not been forgotten and, by means of fiction, numerous Mexican artists will dedicate themselves to remembering it. The violence carried out by organized crime is an evil that has been in Mexican territory for a few years and continues to repeat itself with no obvious finish; Simply look at what occurred just lately in the metropolis of Reynosa, the place armed teams randomly massacred at least 15 civilians in broad daylight with out the authorities doing something. The phobia produced by the narco stays very a lot alive and evidently solely fictions stay to do justice to the useless, at least to remind us that one thing is nonetheless improper.
Are is starring Mercedes Hernández, Jesus AIDS, Jero Medina and extra; the synopsis available on Netflix mentions: “The lives of the inhabitants of the city of Allende are at the mercy of a robust cartel, and tragedy is not lengthy in coming.” James schamus, its producer and additionally screenwriter, stands out for contributing to the growth of El Tigre y el Dragón –
Netflix has discovered strong acceptance amongst the Mexican public. The corporate goals to supply as many collection and movies as attainable with native content material, following the rules of the federal authorities but additionally giving significance to the tales that reside right here and that now and again it is not so nice to convey again. It is good to see that this sort of fiction is given significance, hoping that the bland and repetitive comedies loaded with racist and class stereotypes are left behind
The digital exhibition of Are In the Memory and Tolerance Museum it is already available and you possibly can go to it by clicking on the following hyperlink.
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